Electrical Engineering

Electrical Engineering Tube. Duration : 7.33 Mins.

Tags: Electrical, Engineering

Plural Eyes Canon 5D MK II Canon 7D

Plural Eyes Canon 5D MK II Canon 7D Tube. Duration : 3.60 Mins.

A tutorial on how I use plural eyes software for DSLR camera edits. The power in this software is really for multiple camera shoots, but this shows you how easy it is to do camera sync. Visit www.webvideochefs.com for more video tips and tricks.

Keywords: canon 5d mkii, canon 7D, plural eyes, final cut pro, audio sync

The Wager: Can US Innovate Its Way Out of Debt?

The Wager: Can US Innovate Its Way Out of Debt? Tube. Duration : 2.72 Mins.

Complete video at: fora.tv NYU business professor Scott Galloway describes outstanding government and consumer debt levels in the US as a wager that future technological innovations will lead to long-term economic growth. ----- On November 5, L2 and NYU Stern hosted its second-annual Innovation Forum at The Morgan Library in New York City. The full-day event addressed innovation in digital marketing and implications for prestige brands. L2 Forums are the largest gatherings of prestige professionals in North America. Forums draw C-level executives and top marketing and digital talent from prestige brands; leading agencies, media, and technology firms; and innovators and academics. In addition, 25 percent of seats are reserved for students from the nation's top business and arts graduate programs. - L2 Scott Galloway is the founder of L2, a think tank for prestige brands, and Professor at the NYU Stern School of Business where he teaches brand strategy and luxury marketing. Galloway is also the founder of Firebrand Partners, an operational activist firm that has invested over billion in US consumer and media companies. In 1997, he founded Red Envelope, the premier Internet-based consumer gift retailer. In 1992, Galloway founded Prophet, a brand strategy consultancy that employs over 100 professionals in the United States, Europe and Asia. Galloway was elected to the World Economic Forum's "Global Leaders of Tomorrow," which recognizes 100 individuals under age 40 "whose ...

Tags: debt, deficit, spending, technology, gdp, economy, growth, investment, investing, budget, bet, recession, foratv, fora.tv, fora, tv, scott, galloway, L2, innovation

How to draw Superman, Man of Steel

How to draw Superman, Man of Steel Tube. Duration : 12.05 Mins.

idrawgirls.com for Step by step images tutorial and picture download How to draw Superman. How to draw Superhero body, torso muscle: idrawgirls.com How to draw arm muscle (front and side view) idrawgirls.com idrawgirls.com Learn from basic sketching to finish drawing quick concept to finish rendering of Superman for comics cartoon illustration, manga, anime. Drawing and sketching step by step, learn how to draw and sketch super hero from basic sketching out construction lines to finish drawing and rendering gray scale value, quick concept for comics cartoon illustration, manga, anime. Learn from professional concept artist Xia Taptara Superman is a fictional comic book superhero appearing in publications by DC Comics, widely considered to be an American cultural icon. Created by American writer Jerry Siegel and Canadian-born American artist Joe Shuster in 1932 while both were living in Cleveland, Ohio, and sold to Detective Comics, Inc. (later DC Comics) in 1938, the character first appeared in Action Comics #1 (June 1938) and subsequently appeared in various radio serials, television programs, films, newspaper strips, and video games. With the success of his adventures, Superman helped to create the superhero genre and establish its primacy within the American comic book. The character's appearance is distinctive and iconic: a blue, red and yellow costume, complete with cape, with a stylized "S" shield on his chest. As an influential archetype of the superhero genre ...

Keywords: how, to, draw, superman, drawing, comics, superhero, knight, arm, art, batman., body, cartoon, concept, design, face, gesture, hero, tutorial, lesson, demo, sketch, muscle, man, of, steel, instruction

Tanya Roberts Outrageous Love & Friendship Sam Botta-Live Fearless-Chris Shining,Executive Producer

Tanya Roberts Outrageous Love & Friendship Sam Botta-Live Fearless-Chris Shining,Executive Producer Video Clips. Duration : 0.90 Mins.

Her husband of 25 years had died from illness, she was there for him and has overcome the grief and built a new life. Sam Botta: I asked you the secret of lifetime love (two years before)... And you said your man at the time adores you... Tanya Roberts: My man died 18 months ago after 25 years of a beautiful marriage, I grew up with him, and he did adore me, I adored him, and that's what happens, I'm lucky to have had 25 years of outrageous love and friendship. SB: How did you get through the pain? TR: If I didn't pull myself together I wouldn't have been able to keep him alive and take care of him, that's what you do. It's Nothing heroic you just do it. You don't want to see the one you love totally screwed up.. and you manage. I love you. www.imdb.me/livefearless IMDB.COM: www.imdb.com Tanya Roberts came from modest beginnings in the Bronx, New York, the daughter of a pen salesman (Irish) and a mother (Jewish) who were divorced before she reached high school. Tanya dropped out of high school at age 15, got married and hitchhiked around the country until her mother-in-law had the marriage annulled. She met psychology student Barry Roberts in New York while waiting in line to see a movie. A few months later, she proposed to him in a subway station, and they were married. .. Beautiful love story. Secretly hope. Live life with the kind of love that lasts. The memories, the hopes, the dreams. Never forgetting, especially On a sad day when we've lost a life-altering talent ...

Tags: loss, life

TYT Hour - October 8th, 2010

TYT Hour - October 8th, 2010 Video Clips. Duration : 31.77 Mins.

Subscribe to the FREE Video Podcast on iTunes: bit.ly New TYT Network channels: www.youtube.com www.youtube.com New TYT Facebook Page(!): www.facebook.com Follow us on Twitter: twitter.com www.theyoungturks.com DISCOUNTS: www.theyoungturks.com FREE Movies(!): www.netflix.com Note: The above two links are for TYT sponsors. Read Ana's blog and subscribe at: www.examiner.com TYT Network (new WTF?! channel): www.youtube.com Check Out TYT Interviews www.youtube.com

Tags: tyt, young, turks, cenk, uygur, ana, kasparian, news, politics, entertainment, funny, conservative, liberal, moderate, independent, republican, democrat, gop, democratic, government, white, house, administration, washington, dc, senate, senator, congress, progressive, commentary, media, scary, sick, president, angry, opinion, internet, radio, talk, show, hollywood, political, los, angeles, politicians, jayar, jackson, jesus, godoy, talk show, interviews, kevin, mccarthy, warren, buffett, tax

What Is A Contrite Heart?

A contrite heart, a broken heart, a humble heart, these are just separate ways of saying the same thing, but they can also have separate meanings and it's leading to understand the difference, so as to avoid confusion. What is a contrite heart? What is true humility in the Bible sense?

I've heard Christians pray God break me and make me into what you want me to be. I understand what they are saying, but when you look at the Word of God, you see that God wants a whole vessel that can be used unto His honor. Jesus paid the extreme price for our redemption. He died so that we can be whole spirit, soul, and body. A broken water pitcher won't hold water, and can't be used for the masters use. So my quiz, is, what is true Bible humility, what does the Bible mean when it is talking about a broken heart? Let's look to the Word of God as all the time for the answers.

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Ps:34:18. The Lord is near to those who have a broken heart, And saves such as have a contrite spirit.
19. Many are the afflictions of the righteous, But the Lord delivers him out of them all.

In this instance the Word broken means,-- crush, destroy, hurt, quench, tear. The Lord is near to those who have a broken heart, or a crushed or hurt heart.
When the righteousness have been hurt the Lord is there to deliver them. The Lord is not the one doing the crushing and destroying He is the one doing the delivering.
Jesus said, in
John 10:10. "The thief does not come except to steal, and to kill, and to destroy. I have come that they may have life, and that they may have it more abundantly.

In this instance there is deliverance out of the condition of brokenness. As vs. 19 goes on to say: Many are the afflictions of the righteous, But the Lord delivers him out of them all.
This gives the sense of there being medical and wholeness in God's deliverance.

Psalms 51:17. The sacrifices of God are a broken spirit, A broken and a contrite heart These, O God, You will not despise.
In this case contrite means, -- Grieving and penitent for sin.
God does not despise a broken heart, this is true humility, and it's the first step to real forgiveness and cleansing. Real forgiveness only comes when you humble your heart before God. God does not do this for you, the Holy Spirit will draw you to the love of God, but you have to receive it.

Micah 6:8. He has shown you, O man, what is good; and what does the Lord need of you but to do justly, to love mercy, and to walk humbly with your God?

In Micah it says walking humbly with, you see in this case it is not talking about a crushed or bruised spirit, it is talking about walking with God, or in cooperation along with God. When you are walking under someone else's authority, you have their full backing and support. One example of this would be a police officer who is directing traffic. He doesn't on his own have the power to stop a car but he has the authority granted him by his local govt. Or municipality to stop cars, doesn't he? We all have authority we have to submit to, either we like it or not, either it be the traffic cop or our boss, without it there would be chaos. The top authority we have to submit to is God. His authority is the extreme authority we all have to submit to, either now or later! The Word of God tells us every knee shall bow and every tongue shall confess that Jesus Christ is lord to the glory of God the Father. (Phil:2:11).
When I think of humility, I think of submitting to a greater authority. Or putting yourself in a place of subservience to, as in

1 Peter 5:6. Therefore humble yourselves under the remarkable hand of God, that He may exalt you in due time,
7. Casting all your care upon Him, for He cares for you.

This is not talking about a master and a slave, this is talking about walking under the authority of a caring Father. There's a huge difference! It is saying here to humble ourselves under the remarkable hand of God, or putting ourselves under His authority. He is telling us to do this so that He can exalt us, however He can't exalt us unless we put ourselves in a place where He can do it. It's His desire to exalt us, but we must do our part. He's already done His part through the redemptive work of Jesus Christ.

How can we truly submit to God, what do we have to do? This is a straight foreword quiz, that we all would like to know the respond to. We have to submit to His Word. His Word is His written will to us all. God's Word is God's will. You can not truly get to know God or know His will unless you read His Word. It is scriptural to ask God to give you a desire and a hunger for His Word, if you are earnest, you will get it. Jesus said in the gospel of Matthew.

Matthew 5:6. Blessed are those who hunger and thirst for righteousness, for they shall be filled.
It didn't say they might be filled, it said they shall be filled.
It starts when you respond you don't have the answers, but identify He does.
I don't have all the answers but God's Word has all the answers, and as I learn of Him, and submit to His will, he will lift me up. It is an act of your will to submit, and it is also in your best interest. God all the time has our best interest in mind. His desire is to see us healthy and prosperous, as the apostle John wrote by the unction of the Holy Spirit,

3 John 1:2. Beloved, I pray that you may prosper in all things and be in health, just as your soul prospers.

This doesn't sound like the ravings of a mad dictator, this is the desire of a loving and caring Father. The Father all the time has our best interest in mind, always! If we can respond that, it makes it a lot easier for us to submit to Him. Once you learn to trust God you will wonder why you never did in the past. He loves us more than we can comprehend.

Jesus said in Matthew,
Matthew 11:29. "Take My yoke upon you and learn from Me, for I am gentle and lowly in heart, and you will find rest for your souls.
30. "For My yoke is easy and My burden is light.''

He is saying for us to take on His yoke, and learn of Him, He is gentle and lowly of heart, and that is the place where we find rest for our souls. If you only knew the true peace that comes when you enter into God's rest, you would never want to leave. His Word tells us to labor to enter into that rest.

Hebrews 4:9. There remains therefore a rest for the citizen of God.
10. For he who has entered His rest has himself also ceased from his works as God did from His.
11. Let us therefore be diligent to enter that rest, lest whatever fall after the same example of disobedience.

Entering God's rest is being obedient and submissive to His will. The Word is telling us to be diligent to enter that rest.

Rest is much great than works, rest is flowing with God, and walking with Him under His authority. I've been on both sides, and rest is better, even if it is a labor to get there, rest is better, learning of God and partaking of His fellowship and His life and His love is a life changing contact that you can only contact when you submit to Him. How about it?
Are you willing to take the first step. The first step is to respond Jesus as Lord and savior.

If you don't know Him I would like to invite you to pray this prayer.

Dear Heavenly Father,
I come to you in the name of Jesus.
Your word says, "...and the one who comes to Me I will by no means cast out." (Jn.6:37),
So I know You won't cast me out, but You take me in,
And I thank you for it.
You said in your Word, "whoever calls upon the name of the Lord shall be saved.'' (Ro. 10:13).
I am calling on Your name, So I know You have saved me now,
You also said, "...that if you confess with your mouth the Lord Jesus and believe in your heart that God has raised Him from the dead, you will be saved. For with the heart one believes to righteousness, and with the mouth confession is made to salvation. " (Ro.10:9,10).
I believe in my heart that Jesus Christ is the Son of God.
I believe He was raised from the dead for my justification.
And I confess Him now as my Lord,
Because Your Word says, "... With the heart one believes to righteousness..." and I do believe with my heart,
I have now become the righteousness of God in Christ. (2 Cor. 5:21),
And I am saved! Thank You, Lord!
I can now truthfully say, I see myself as a born again child of God!

Glory to God!!!! Amen.

What Is A Contrite Heart?

Super Skinny Me pt 2

Super Skinny Me pt 2 Video Clips. Duration : 10.00 Mins.

In this shocking documentary about the extreme lengths some women will go to lose weight, two average-sized journalists accept a challenge to whittle themselves down to a size zero within 5 weeks. With everything short of surgery and drugs at their disposal, the effects of the rapid weight loss and extreme dieting on these two women has to be seen to be believed. Part 2/5

Keywords: super, skinny, me, race, to, size, zero, bbc, diet, anorexia, bulimia, exercise, weightloss

Sample Letter of Interest As an Adjunct Professor

The first letter of interest as an adjunct professor is an prominent document when applying for ready positions. It is even more prominent when it is being sent "cold" to schools for which you would like to teach. There are determined elements in this letter that should be adhered to when it is prepared.

In the first paragraph of the letter, you should let the reader know the letter's intent. State that you are sending this letter as an application for an existing opportunity or that you are inquiring as to the availability of adjunct teaching. There will be less blurring if you would indicate your teaching preferences. Also, let them know if you prefer to teach on ground, online, or both.

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A letter of interest as an adjunct professor should be relatively short, truly contained on one page with plentifulness of white space. In fact, the letter should be no longer than three paragraphs. Do not expect the reader to take up much time reading cover letters.

The second paragraph has two parts. The first part is to relate your teaching caress including: How many years that you have taught and at what level, what courses you have taught, if they were graduate or undergraduate courses, and any caress you have had with adult education or teaching diverse cultures. The second part should indicate the courses that are offered by the University that you have taught or can teach. This can be obtained from the school catalog.

The third paragraph should indicate anything special about you along with teaching awards or honors you have received. You can also contain anything of value that would indicate that you are an superior professor. If there is nothing worthy of including, then leave this paragraph out.

The last paragraph should indicate your education. This should contain your undergraduate and graduate institutions and what your major was. If you received any special training or earned any certifications, this is the place to contain them. Then you should courteously end the letter.

Your goal in a letter of interest as an adjunct professor is to make the recipient aware of your qualifications and to understand that you would be an asset to their institution, without taking much of their time. Then, if there are any openings or ready teaching slots, you will now have a much great opportunity of landing the position.

Sample Letter of Interest As an Adjunct Professor

Where To Find The Best Free Online Paralegal Courses

Today the Internet has become the place where most citizen look for information. With that, many services have also been become part of the online community. There are free online paralegal courses too. They are not only free, but also they furnish all the information that is required for the them. A learner may look straight through the policy details.

There will be citizen who know about this profession and they will want to join these free online paralegal courses. There will also be others who will want to join even if they don't know much about the profession. In both cases, they will be taught how to apply the techniques linked to the legal profession. Though there are many free online courses for this profession, students may want to do a miniature study before joining.

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They need to choose the best if they want best results even though the courses are for free. Those who want to learn fast and if there are citizen looking for simple information about the course, then this is the best policy to take. These courses will cover everything there is to cover in the paralegal profession, and they will include topics such as criminal law and plain research.

These are the ideal policy to take for those who are new to this profession. They may take up this policy before paying for other courses. These free online paralegal courses will give them a brief understanding into the profession, and will also furnish the platform for the best originate in the paralegal profession. This can also help citizen build a good career for the same.

A lot of study material as well as other material will all be made available on these sites. Both basic as well as industrialized techniques of this profession can be gathered from these courses. Students will fast become customary with all the legal terms.

Where To Find The Best Free Online Paralegal Courses

President Obama Highlights the American Jobs Act

President Obama Highlights the American Jobs Act Tube. Duration : 22.85 Mins.

At Abraham Lincoln High School In Denver, Co, President Obama highlights his American Jobs Act proposal to put workers back on the job by rebuilding and modernizing schools across the country. The American Jobs Act proposes a billion investment in school infrastructure that will modernize at least 35000 public schools -- investments that will create jobs while improving classrooms and upgrading our schools to meet 21st century needs. Read the bill at whitehouse.gov September 27, 2011.

Keywords: president, obama, white house, abraham lincoln, high school, denver, colorado, jobs, economy, american jobs act, rebuild, america, infrastructure, schools, modernization

Salim Ismail - Zeitgeist US 2010

Salim Ismail - Zeitgeist US 2010 Video Clips. Duration : 5.40 Mins.

Salim Ismail talks about using accelerating technologies to address global issues. Find out more at www.Zeitgeistminds.com

Keywords: Ignite, America, Zeitgeist, 2010, Google

Esthetician Online Schools

Online Esthetician Schools offer Internet length studying courses in skin and nail care. If you are a working adult in chase of a new career or advancing a current career, you can begin the process of earning an online esthetician degree that will prepare you for work in spa centers or in a dermatological office.

The study of skin and nail care involves the study of science related to skin, nails, and hair. Esthetician students can expect to be taught the many ways of enhancing skin, nails and hair through increasing circulation, stimulating lymph systems, inducing nourishment, increasing firmness and elasticity of skin, and removing toxins from tissue. Some online esthetician schools may offer study in assisting in weight loss.

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Estheticians have become a crucial element in the salon and spa industry, where they may customize skin care treatments by deep cleansing, masking, toning, moisturizing, and exfoliating. Estheticians may be instructed to analyze skin, perform relaxation and lymphatic massages, and give moisturizing and herbal body wraps.

Online esthetician courses for working in spa centers consist of anatomy and physiology, curative terminology, nutrition, massage techniques, hair removal, ingredients of cosmetics, herbs used in skin care, manicures and pedicures, and the "how tos" of hydrotherapies and basic aromatherapy, as well as esthetic muds and algaes. You can also learn Chinese skin pathology techniques and how to fabricate spa treatments to suit your clients.

Another set of online esthetician courses teach the basics of managing a spa business. Basics of the industry, bookkeeping, marketing and advertising, choosing services to offer, and time management are leading courses, as are courses in comprehension equipment types and uses.

Students of online curative esthetician degree programs will find dermatology and plastic surgery skin care courses, as well as courses in anatomy and physiology, camouflage therapy, curative esthetics, advisor and transportation training, and more.

Graduates of online esthetician programs might expect to receive pro counseling and aid with placement in physician's offices, hospitals, curative spas and sick person clinics. Consult with your online esthetician school of selection if this is a concern for you.

Good online esthetician schools are accredited. Learner loans or grant programs are available in some schools. Please note, too, that online esthetician schools may wish hands-on training under the management of trainers for completion of certification or degree programs. Be sure to ask whether or not online esthetician programs will wish specialized hands-on training for certification or a degree at your online school of choice.

If you are curious in studying more about Online Esthetician Schools and other types of schools, please quest our site for more information and resources.

Disclaimer: Above is a general overview and may or may not reflect specific practices, courses and/or services related with Any One single school(s) that is or is not advertised on SchoolsGalore.com.

Copyright 2006 - All proprietary Reserved
Michael Bustamante, in connection with Media inevitable Communications, Inc. For SchoolsGalore.com

Notice to Publishers: Please feel free to use this record in your Ezine or on your Website; however, All links must remain intact and active.

Esthetician Online Schools

How to Prioritize Your Work

Regardless of either you are a student, work at home mom, a web designer, or a Ceo of a Fortune 500 company, prioritizing your work is vital to your success. Failing to prioritize your work load ordinarily results in being very inefficient and very stressed out. How many times have you understanding to yourself "I have so much to do today, how am I ever going to get it all done?"

There is no exact science to prioritizing, but there are several tips that should help you become a more efficient, less stressed version of your current self:

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Make a list - this may seem unavoidable but you'd be surprised at how many population try to develop their tasks in their head. You'll often find that you feel a lot great just getting everything out so that you can see it in one place. Consider time constraints - what of course needs to get done today and what can wait until tomorrow or next week. everything may be leading eventually, but some things are more leading now. Consider population constraints - all things equal, move things that other population are waiting on to the top of the list. If you know that your owner can't desist his proposal without your part, that's more leading than the thing that you all the time do on Wednesday that could just as well be done on Thursday. Consider the consequences - are you going to get fired if you don't do something? Is another task going to give you the inside track on that promotion? Those things should be more leading than mildly inconveniencing the sales owner by responding to their email a day late. Re-prioritize as vital - let's face it, priorities change. As they do, update your list. It will give you a sense of operate over the situation. Remove unimportant items - is there something on your list that you all the time push to the lowest and never end up doing? Then get it off the list. It doesn't belong there. Don't list everything - only list crucial tasks. You don't need to list routine tasks (like lunch) or menial tasks (like checking your email). Also, you're going into too much detail if you put down prioritizing as a task. Do everything you can to keep your list small - this means saying No sometimes. You are not other people's gopher. Do your work and help other population with theirs when you have something to offer, but don't do their work for them. Along the same lines, learn to delegate things to the population that are supposed to be doing them. Why book your plane tickets when you have an assistant for that?

How to Prioritize Your Work

Arthur Rubinstein plays Chopin (vaimusic.com)

Arthur Rubinstein plays Chopin (vaimusic.com) Video Clips. Duration : 4.05 Mins.

vaimusic.com Arthur Rubinstein plays "Nocturne in F-sharp Major, Op. 15, No.2" From: VAI DVD 4275 Arthur Rubinstein plays Chopin and Rachmaninov Arthur Rubinstein, one of the most celebrated pianists of the 20th century, performs an all-Chopin concert in the intimate setting of his home. Filmed in 1950 Rubinstein plays and shares his perspectives on the music of Chopin. From the two 1956 Producer's Showcase "Festival of Music" programs Rubinstein performs Chopin's A-flat Polonaise and Rachmaninoffs Rhapsody on a Theme of Paganini. Showcase Symphony Orchestra Alfred Wallenstein, conductor TO PURCHASE THE COMPLETE DVD, PLEASE VISIT www.vaimusic.com OR CALL TOLL-FREE IN THE US 1(800)477-7146 (OUTSIDE OF THE US, CALL 914-769-3691).

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Creighton University – Omaha Nebraska

Creighton University – Omaha Nebraska Video Clips. Duration : 1.25 Mins.

Creighton University Omaha NE - Creighton (Kray-tonn) University, founded in 1878, is taking its place at the forefront as one of the nation's finest Jesuit, Catholic universities, embracing the Jesuit heritage of service and academic excellence anchored in ethics. This nationally recognized university offers outstanding undergraduate, graduate, and professional programs combined with a major academic medical center. Yet its size – sixty-seven hundred students – allows students the accessibility and personalized attention of a small school. Creighton students come from across the country and many foreign countries, ensuring a global perspective. With some of the top undergraduate science programs in the country, Creighton is known for innovative, cross-disciplinary teaching and research opportunities for undergraduates. Growing and transforming into a model urban-rooted campus, Creighton has new facilities, up-to-date wired and wireless connection, and unique academic programs. Creighton University, guided by visionary leadership, is willing to lead as a model for higher education in the 21st century. Keywords: college, university, universities, school, schools, education, programs, academics eLocallink, Inc.

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DEXL EDUCATION SERVICES AWARD CERMONY IN UDAIPUR MANAGED BY UDAIPUR EVENT MANAGEMENT 9928686346

DEXL EDUCATION SERVICES AWARD CERMONY IN UDAIPUR MANAGED BY UDAIPUR EVENT MANAGEMENT 9928686346 Video Clips. Duration : 2.40 Mins.

DEXL is an embodiment of the ideology of noble professionals of the fields of formal and vocational education. It is an initiative of a group of academicians having a very long teaching experience at undergraduate to post-graduate level apart from IIT-JEE coaching at the institutes of repute. This group has taught thousands of students who qualified IIT-JEE with top ranks in the last 10 years. Sharing the same passion for teaching, each member of the DEXL Group strives hard to make a difference in the life of the students. Fighting against all odds, despite being a new group trying to establish its identity in the crowd of big names, the DEXL Group overcame all the hurdles because of the committed efforts of its efficient and hard working team which believed and supported the vision of its leader. Our Approach At DEXL emphasis lies in the fact that each child must derive pleasure from learning. We put in extra effort to identify the strengths and weaknesses at the outset and provide the necessary support to the child. We believe that success comes through certain traits and we ensure that all these are logically explained to every child. We constantly help and motivate the children to acquire the traits wherever they are lacking. This is what separates the DEXL Group from the rest. The genesis of formation of DEXL Education lies very much in accepting the challenge of providing THE REAL MENTOR to each and every child. Our Strength DEXL Education has evolved the right ...

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Ancient Aliens The Evidence - {s01e01} - Full Length season 1 episode 1

Ancient Aliens The Evidence - s01e01 - Full Length season 1 episode 1 Video Clips. Duration : 89.07 Mins.

Next Episode: www.youtube.com If ancient aliens visited Earth, what was their legacy, and did they leave behind clues that exist in plain sight such as sophisticated aircraft, complex electrical grids, and intricate construction machinery? Indian Sanskrit texts, dating back to 6000 BC, describe in varying but vivid detail flying machines called Vimanas. Megalithic stone structures in Egypt reveal evidence of precision saw work. Interpretations of the Jewish Zohar writings offer depictions of a life-sustaining manna machine, eerily similar to chlorella algae processing systems today. Are these examples of modern technology, or is there evidence that these incredible mechanisms existed on Earth thousands of years ago? ₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪ Playlist: www.youtube.com (Contain all videos for season 1) History Channel -- Ancient Aliens -- The Evidence (Season 1 Episode 1) April 20, 2010 www.history.com ₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪ ancient aliens season 1 episode 1 full ancient aliens s01e01

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Apply For Food Stamps in Louisiana Under the Snap agenda

The Louisiana Supplemental cusine assistance program (Snap) helps low-income households gain the allowable food indispensable to voice health. The Snap program transfers food assistance benefits to the electronic Louisiana buy Ebt debit card according to household need (which is largely dependent on a set wage limit). Once a household is popular ,favorite for food assistance, they are allowed to make purchases at grocery market or convenience shops that display the Quest logo. Applicants must unblemished a Snap form in order to be carefully for eligibility.

First, determine whether you are eligible for food stamps. Families cannot exceed more than ,000 in monthly assets and no more than ,000 for families with disabled persons or elderly 60 and over.Use the pre-screening eligibility tool settled on the Louisiana agency of Children and house service website to determine if you may be able to receive Snap benefits.

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Locate the "Family Support" link from the agency of public Services website where you will be able to passage the "Supplemental cusine assistance program (Food Stamps) and download and unblemished the Application for Assistance." You should have your public safety amount available, as well as last four check stubs or unemployment worksheet, and maybe a modern bank statement to unblemished the application. Drop off the application (or mail it in) to your local Office of house retain Parish. You can also visit your local Ofs Parish office to submit a paper Snap application in person. A letter from the Louisiana agency of Human resource confirming the status of your application will have a mandatory date and time that will allow you to meet with your caseworker reviewing your file. Taste Human Resources if you need a phone interview or must reschedule as soon as possible.

Attend your in-house interview on time. The application process may be lengthy, and if you arrive late, you can be sitting for a while and have your claim file delayed. It is required that your bring in valid identification, your public safety card, last four modern check stubs or self-employed wage tax return, rent or mortgage receipts, a utility bill and any healing bills you have available.

It takes about two to three weeks to receive a Snap advantage approval letter. When you get it, it will feature the monthly amount you have been granted based off your monthly income. It will also consist of your Louisiana buy Ebt Card and Pin number. Denial letters can be appealed plainly by writing to your local agency of Human Services or contacting Human Services to ask an petition form.

Apply For Food Stamps in Louisiana Under the Snap agenda

bodily Theatre and Commedia Dell'arte - An Interview With Wyckham Avery

Q: How did you start in physical theatre?

A: When I was a teenager I was very lucky to have worked with Dan Hurlin who is a amazing doing artist, writer and teacher. We didn't talk about the work as a genre like 'physical theatre' or 'realism' or 'absurdism' we just worked very physically. He taught me that acting was sweaty and theatre didn't have to look like real life. As I got older and found myself wanting more than what my Stanislavsky-based work was giving me, I started searching for other styles that paralleled my work with Dan, which finally brought me to the Dell' Arte International School of physical Theatre.

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Q: What is physical comedy and what are its distinguishing factors?

A: physical comedy is telling a comedic story with one's body insteaad of relying on words. Words can be used, but the actor doesn't rely on the words to get the story across. It's slapstick from commedia dell' arte, the old school Jerry Lewis kind of thing. Things need to be big in physical comedy. Most physical comedy these days is seen in cartoons, everything from Tom and Jerry and the Road Runner to the highlight films like "Shrek." One of my popular movies is "The Triplets of Bellville" which is an spicy film that came out of Europe a few years ago. There is a itsybitsy dialogue in the film and the bodies and movements of these cartoon characters are so filled with meaning and visual stimuli in their doing it's amazing. It's an spicy study in how physical theatre or doing works and how you tell stories, physically, as opposed to verbally.

Q: What is Commedia Dell'arte?

A: Commedia Dell'arte is a Renaissance Italian form of theatre and the term means the "comedy of art." It was popular in the 15th and 16th Centuries when forces of actors performed primary stock characters, mostly in three-quarter mask. The traits of these stock characters were familiar to the audience, the style of acting was improvisatory, but actors didn't start cold as they would in an improv game these days. The gist of each singular scenario was standard, but what exactly transpired was improvised. As these actors had worked together for years and knew each other's work and characters well there was a platform to work on, beyond doubt and figuratively. They performed wherever they could gain an audience's concentration - whether it was on a platform or wagon. They didn't draw a highbrow audience paying lots of dollars to see them. They had to pull in an audience and then pass a hat to collect coins.

The influences of Commedia are here today. You can see it in The Marx Brothers. You'll even find Commedia's stock characters and plotlines in Shakespeare's comedies such as "Love's Labors Lost." All art forms whether change with the times or die off, and in a sense, that's what's happened to Commedia. Very few fellowships still work in the Commedia style, but I think actors can learn a great deal from working in that style. I'm excited about an industrialized Camp Shakespeare at the Shakespeare Theatre firm for teens this summer that I will teach. We'll work with a group of teenagers on improvisation, mask, and physical comedy and generate a Commedia play.

Q: What distinguishes Commedia Dell'arte from other forms of performance?

A: Commedia Dell'arte is fifty percent physical and fifty percent verbal. Because it's in mask, it has to be incredibly physical, some of the actors might be tumblers or dancers. Broad physical gestures are integrated with witty speech so that actors aren't standing around talking or expressing their emotions through small gestures.

There was no such thing as a black box theatre during the Renaissance; audience members couldn't watch an actor's deep pain or joy through the actor's eyes. There was no - lights down on the audience and spotlights on the stage. This was the time of lit audiences. Finding ways of amplifying, communicating to the audience, what actors were doing or experiencing was necessary. There were no programs for the audience; they couldn't read in develop that this guy was playing this or that character. The things that we take for granted now didn't exist then.

Performers had to fight to get an audience in the Renaissance. They had to draw them in. If they were performing covering on a wagon, they had to get people's attention, they had to work with the audience. There were 2,000 habitancy in the Globe. It was a very dissimilar audience than we have today. habitancy walked around selling oranges and beer and if audiences couldn't hear, see, or understand the actors or story, they could lose interest and their attention. Today it's easy to keep the concentration of the audience because there's nothing else to look at. The lights are out and the only place to look is straight ahead. But that wasn't all the time the case. There were a lot of distractions for the audiences, they were checking out what the royalty was wearing, or who was sitting with whom, or Finding for someone to go out with. It was all very social.

Q: What about the stock characters?

A: Stock characters are archetypes - the old miserly man, the crafty servant, the braggart soldier, or the young lovers. They're with us even today - we can see them in the Simpsons" and they've been part of theatre for years. In commedia, each character had primary costumes, mask, signature props, poses, stances, actions, plot function, association to the audience, association to other characters. When the audience saw the guy with the long, pointy, droopy nose, wearing tight trousers over skinny legs, they knew it was Pantalone. He was the misery old man of high social status. Arlechinno (Harlequin) was a servant, the spry one all the time Finding for food. Each stock characters had signature lazzis

Q: What are lazzis?

A: Lazzis are the running gags, stunts, and pranks that were performed by the characters. Arlechinno might have a bit about a fly that is bothering him that he tries to catch and eat. It was another way to physicalize and display character to the audience. The stock characters can reach beyond the primary fourth wall, as we know it.

Q: What do you mean about reaching beyond the fourth wall?

A: Today, while actors understand that the audience is there, the characters, themselves, don't. Realistic drama and realistic acting has a give and take with the audience, but it's subtle. Good actors can sense what's happening in the audience and work that, but it's much more overt in these earlier forms. When film started, and with it the beginning of realism, that variation wasn't made. Characters then performed with an awareness of the audience. In Shakespeare, it's very clear at positive moments that the character is talking to the audience, and a lot of habitancy believe that it's beyond doubt happening even more, it's just not as evident. Any Shakespeare fellowships take everything to the audience and actors make a lot of eye palpate with the audience. Shakespeare and firm in Massachusetts and the American Shakespeare town in Virginia coming their productions this way.

In clowning, audience palpate is crucial. It's a give and take in the middle of the audience and the performer in a very direct way. Some habitancy balk at that, like it's the audience participation thing, but it's dissimilar - it's not about dragging someone up on stage and production them do unintelligent things.

There are dissimilar worlds of clowning ranging from the primary circus clown to the existentialist clown like with "Waiting For Godot." Clowns have a sort of resiliency. Tragic things can happen around them, but they bounce back, they are resilient, nothing crushes them for too long. They're not childish or stupid, but there is a naivety to them because the quarterly logic of our world doesn't necessarily apply. Clowns tend to be very physical and often many of them don't use language at all, so they have a universal form of communication.

Q: Are there skits or are the actors just performing improv?

A: Both, the actors have their clowns' personage that they've industrialized and they might have an frame of what happens in their skit, scene or production, but how they get from each point can change a lot each time they do it. It's similar to improv theatre today, the same skills are being used - it's about taking in and responding to what's given to you on stage, whether it's from your partner, or the audience, or the chair. Anything can be your partner in clowning, whether it's a human or inanimate object, and you take advantage of that. In quarterly theatre, if your shoes squeaked, you'd try to frame out a way to diminish it, whereas in clowning, you exploit it. You exploit your own faults in clowning. It's a spicy way to work. The history of clowning is huge and you can find clowns in most cultures. In America, we have a very definite circus clown archetype - the Bozo or the sad hobo clown of the circus - with heavy makeup, floppy shoes and the squirting flower. But clowning doesn't have to be about walking on stilts and juggling. 500 Clowns out of Chicago doesn't wear red noses; they paint their ears red and are sort of scarier looking. Bill Irwin, who is probably the best clown we have in this country, doesn't all the time work in a red nose. He did when he first started out with the Pickle Circus in San Francisco, and he started developing a theatrical movement that he called New Vaudeville with shows such as The History of Flight and Largely New York, which incorporated much of his clowning expertise and physical comedy.

Q: Why don't we see more of these types of performing now in Washington?

A: There's seems to be a reticence here for dissimilar forms of theatre. Road theatre and busking is illegal. In other cities around the world, there are international buskers' festivals, where all sorts of Road performers do amazing things.

The growth of Fringe festivals has allowed artists to scrutinize and experiment with dissimilar types of performances, and the Festivals allow the audience to palpate theatre in ways they hadn't thought of or known about. In this city, habitancy say there's no audience for dissimilar kinds of theatre, but I'm not sure that's true. Especially when you look at the success of the Capital Fringe Festival, and fellowships like Synetic. Other cities seem to take care of physical theatre better than this area, but I have hope for Dc. Chicago, San Francisco, and Philadelphia are probably the three biggest areas for more physical theatre, along with puppetry, mask, clown, and multimedia and everything in between. Some of it's crap and some of it's amazing and a lot of it lies in in the middle of - that's great. We want all of that here, too.

Q: Would you talk some about your background and training?

A: I went to undergraduate school in New Mexico State and studied with Mark Medoff, the playwright, who was the head of our program, and I got my Mfa from Catholic University in Washington, D.C. While in college, I interned at The Actors Studio in New York. That was before James Lipton and the making ready of the school. Back then, it was just actors in a room attending their American recipe of acting sessions twice a week. It was during that internship that I figured out that the primary coming was not for me. That's not to say I didn't appreciate it; there are some brilliant recipe actors, but I knew I'd never be one of them. All I knew at that point was that recipe acting and realism were not for me, but I didn't know what was. Luckily, in graduate school I was introduced to a vast array of modern, nontraditional, nonrealism theatre which I beyond doubt liked.

I was all the time curious in Shakespeare because it is so big and expressive, and like many habitancy around here, I toured with Shenandoah Shakespeare in Staunton, Virginia. Everybody knows Shakespeare's good, habitancy get that, but before I worked at Shenandoah Shakespeare, I didn't beyond doubt understand why Shakespeare is so highly good. When you're speaking those words every day for Any years, you find so much more in it. You find out how amazing Shakespeare beyond doubt is and the Shenandoah Shakespeare style of working, I think, helps illuminate the play and the text for both the actors and audience. But even then, I still knew that there was this whole other world of doing that I wasn't beyond doubt tapping into.

I later worked in a firm in New York called the Collapsable Giraffe which is sort of a devised theatre group or ensemble. We would be in a room, have some inspiration or text and just create. Most of the habitancy there, also me, had worked or were still working for The Wooster Group in New York, which is a theatre which uses new forms and techniques in producing new and established works. The Collapsable Giraffe and The Wooster Group share a similar esthetic that I find spicy and exciting. From there, I trained at the Dell'arte International School of physical Theatre in Blue Lake, California, where I was taught clowning, commedia, and comprehensive physical theatre.

Q: What was that training like?

A: It was great, but it was difficult. They were hard on us students and we probably collectively cried more than laughed during training. We laughed too, but we all separately and collectively cried a lot. One teacher was scary. At times, he yelled and threw tennis balls at us while we were on stage - with the best of intentions. He wasn't trying to hurt us - his goal was to keep us in the gift and reactive on stage. Some habitancy tried to stay in character and dodge the tennis balls and that made him throw even more balls and yell even louder. As actors, we were so ingrained in our recipe of acting and training that even in clowning we put blinders on and refused to react to covering things. In clowning, that's beyond doubt what it's all about. It's being gift and taking in what's happening in the space, whether it's in the audience, in the air ducts, or a squeak in your shoe. We all experienced frustration in trying to find that unexplainable place of fully living in that clown personage. We wanted it so badly, and the more we wanted it, the more it seemed to elude us and the more frustrated we got. We didn't speak on stage for months because their confidence is that the movement comes first and the voice comes after. Like children, we learn to walk before we learn to talk.

Q: What's so difficult about clowning?

A: Clowning is about going to a very scary place. A lot of habitancy in clowning pick what they find most humiliating about themselves and exploit it. When you beyond doubt push on those places you avoid, it opens you up to a lot of new and spicy places and freshness. You've got to have a thick skin and be beyond doubt resilient in clowning. When I started in clowning I thought I was resilient, but in retrospect, I don't know if I beyond doubt was. This kind of training is not for everybody, but it is very valuable. Mask and clowning skills are predicted tools for primary modern realist actors to have. Jackie Chan is very clowny and very funny. It's genius how he understands physical comedy in an elevated way in the midst of violence.

Q: What do students learn in your clowning and physical theatre classes?

A: It's sort of unlearning everything that we've learned about acting in some ways. Students in acting classes have been told not to make audience contact, that when it's done, it seems faked or contrived. But with clowning, that's the trick, connecting with the audience and production the doing real. The actor is still in character and has the same objectives, but is sharing and interacting with the audience and the environment instead of performing for the audience.

This is where a whole association happens, part of which is indescribable. When the mask connects with the audience, it's riveting and dynamic, a kind of magic happens that is inexplicable. Clowning is more primary than modern acting, but in our modern view of acting, actors can get away with not being in the moment. With clowning, it's beyond doubt what it's all about - the actors have to be open and respond to Anything is happening.

Actors can feel vulnerable because they can't rely on techniques they're comfortable with. habitancy relate a lot through their eyes and facial expressions. Actors tend to act a lot with their faces because they've learned that from watching movies and television. By putting on masks, we've cut off that recipe of transportation and that leaves us with having to find other ways to communicate. The mask becomes the translator, the transducer of the character, and those emotions that would otherwise be expressed through our faces are sent through our bodies.

Sometimes an actor on stage may pull back, and if that actor has on a mask, that pulling back is magnified. Things that worked without the mask, don't translate, they're not large sufficient to relate to the audience what's going on. Working with a mask becomes second nature with practice. It's not a big endeavor forever. Any technique becomes easier with practice, it's just a matter of getting used to using your body to express the characters and make palpate with the audience.

Q: Would you talk about your coming to teaching clowning and physical theatre?

A: Good teachers of these forms don't necessarily teach, they provoke, they set up circumstances for actors to work through and learn by doing, as opposed to lecturing about it. I can tell students to be in the moment and play with their surroundings until I'm blue in face, but they won't get it until they palpate it. The actual doing of it is where they're going to start to learn it and palpate it.

The charm of the teaching and learning of acting is that there are a million dissimilar approaches and what most habitancy get taught is that you will learn a lot of things, some of which will work for you and some won't. There are brilliant recipe actors in this world who are amazing, breathtaking. They found a path that works for them. That doesn't mean it works for everybody.

For instance, I don't like the divorce of voice and movement, where the physical work happens in one class on one day and the voice work happens in another on another day. Even in my studies, we learned voice a integrate times a week, for an hour, that was it. I found a disconnect in learning how to match what we were doing vocally with what we were doing physically. We were production these big dynamic shapes with our bodies and feeling our hearts out, but some habitancy had never had any voice training and they couldn't be heard or understood because they couldn't elevate their voices up to what they were doing with their bodies. One of my goals when I get my Ph.D. And become a professor is to originate pedagogy where actors' voices and bodies are trained simultaneously.

Q: What would the Avery technique be?

A: I'm still developing it and that's why one of the reasons I'm hoping to begin a Ph.D. Soon. Right now, it's all in notes and ideas. There were some beyond doubt amazing moments at Dell'arte where we studied Tai Chi. For the most part, Tai Chi is fairly silent because it's a meditative martial art, but a integrate of times the teacher played music, which took us to another level. One day, in voice class while working on harmony and singing together, we practiced Tai Chi and that helped us find dissimilar connections. Many habitancy have a tendency to hold their breath while doing something strenuous. In acrobatics class, we did send rolls, cart wheels, or whatever, down the mat, while humming or singing. It's hard to do, but it's serves actors in two ways - it keeps them breathing and in touch with their voice, while exerting themselves physically. Things like that are key.

Q: When did you get into the arts?

A: I was all the time around the arts as there are a lot of musicians in my family. My grandmother is an predicted jazz pianist and she still plays in her jazz band that jams every month at her house. My uncle has been a singer/entertainer for at least thirty years. My mom is a musician and an predicted singer. She studied music in college, teaches music, and plays standup bass. As a small child, I attended the rehearsals of shows for which she directed the music. My father, though not trained in any singular one, was a great appreciator of the arts. My sister is a visual artist, and as with me, her interests have moved around. She went to the Parsons School of originate and while she's worked in a lot of dissimilar media, she now has her own firm production practice mosaics and doing tile installation.

As a kid I wanted to take ballet lessons and to learn how to dance. I grew up in a very small town in New Hampshire so there wasn't much chance for that, but as soon as opportunities for acting came around, I jumped right in. I was also very lucky. An predicted performer and puppeteer named Dan Hurlin, who is also from New Hampshire, is a professor at Sarah Lawrence. When I was a teenager, he ran a children's theatre in New Hampshire so I got to train with him. We loved him, we thought he was amazing, but covering of our itsybitsy world, we didn't know how respected and amazing he beyond doubt was. His work, though I didn't know it at the time, formed part of what my aesthetic is now - Finding for spicy and new ways of performance.

My father supported the arts and me in them. I was a biochemistry major in college learning to be a genetic engineer, but I remember as a child my father saying to me, you know, you might want to act and he used all kinds of itsybitsy schemes to move me towards acting and the theatre knowing that's beyond doubt where I'd end up. He all the time knew I'd be in the arts, even when I didn't know it.

bodily Theatre and Commedia Dell'arte - An Interview With Wyckham Avery

Entrepreneurial Learning 2.0 Navigating the Coming Disruption in How We Learn To Innovate

Entrepreneurial Learning 2.0 Navigating the Coming Disruption in How We Learn To Innovate Tube. Duration : 66.15 Mins.

Google Tech Talk December 15, 2010 ABSTRACT Presented by Dr. Alex Bruton. Imagine graduating from college or university today. Sure, youd have free access to useful information like no generation before yours has ever had, and all the tools you could dream of for producing and sharing information as readily as it can be consumed. No, you may never need to pay for a long distance call, a travel agent, an encyclopedia or a web developer. And yes, before too long the businesses you start would be able to house and scale all of their data and software in the cloud, at next to no cost. But as enabling as all this might be, it wouldnt guarantee your success (or the success of the companies at which you would work) and could even be a disadvantage if you (or your bosses) have grown up learning in a traditional education system. Whole industries from music to journalism to education are being disrupted by the very forces that make these advances possible. The facts seem to indicate that the top 10 jobs to be in demand in 2010 didnt even exist in 2004 and that that people graduating this year could have up to 14 jobs before they turn 39. And its becoming clear that different ways of thinking are needed now than even 10 years ago in order to be creative and efficient enough to turn the flow of information into knowledge that can create sustained value in our society, businesses and economy. The solution to these challenges is one part toolset and large part mindset, and enabling ...

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How To Write A Job exchange request - The Easy Way

Learning how to write a job replacement invite is a lot like writing a resume cover letter; the basics are the same. In a resume cover letter:

o You need to sell yourself and your abilities

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o You need to relate your points efficiently (ideally, in one page)

o You need to show the hiring supervisor what you can do for his or her division, and/or you need to show the business how the organization will advantage by placing you in the new position

The discrepancy when learning how to write a job replacement invite letter is that the ball is not always in your court; under optimal conditions, your business will be actively trying to fill a position, and your replacement is more like an internal application than a personal request. Just remember these tips on How To Write A Job replacement invite to get it right. However, sometimes the need for a job replacement invite is strictly personal - maybe a house illness or turn in personal circumstances is forcing you to relocate, and you are writing in hopes of engaging your job to another location.

In any case, the first step in writing a thriving job replacement invite letter is to analyze the situation and know where you are beginning from; this will help you set the tone for the letter and focus it accordingly.

When Applying For a Posted Position

If your job replacement invite is in response to a job opening within your company, treat it like what it as a matter of fact is - an application with the advantage of business familiarity. Your as a matter of fact need to comprehend this if you want to know How To Write A Job replacement Request...

In your letter,

o State right off your purpose for writing

o Highlight your abilities and experience

o Clearly praise the business (without overdoing it) or you wont know How To Write A Job replacement Request.

o Tell why you want to move up in the company

o Keep the focus on what you can do for the business without sounding like you are bragging

A condensed letter might look something like:

[Using allowable business format]

Dear [Appropriate Hr taste or Supervisor],

It has come to my attention that [blank] department is accepting applications for the [state position]; I am forwarding my resume for your consideration.

I have worked for [this company] for [x] years, as a [position], and have found this to be a very well run organization, supportive of its employees; I would like nothing more than to continue my pro growth with this business as my work moves forward.

I have worked in some capacities here at [company], along with [list]. Each taste has enhanced my skills and abilities; my current position has allowed to [list what you have learned]. These are skills that I feel would be very well fine to this position.

I look send to prolonged growth within this business throughout my work and I thank you for your consideration.

Sincerely,

Signature

Name

Job title

When Applying For a Personal Transfer

Job replacement requests made for personal reasons have the disadvantage of not being made specifically to fill an open position. You have to sell yourself as valuable to the business - How To Write A Job replacement invite - valuable sufficient that they would want to work cooperatively with you and keep you.

For this type of job replacement request, supervene the above guide, and also state why you need to invite a transfer. In increasing to selling your abilities,

o Really play up your commitment to the company, and your desire to remain with them

o Highlight achievements and skills that would be sorely lost

o Explain why you need to invite a transfer

o Be appreciative of what the business has done for you

o Offer a plan for transition which includes training a new someone for your position

Here's an example:

Dear,

I am writing to respectfully invite a replacement in location from [office A] to [office B]. A turn in my personal circumstances necessitates this move. An illness in my house has made it valuable for me to relocate to [x]. Since I have been with this business for [x time], and have fully enjoyed my employment here, I feel it is in the best interests of myself and of this business that I move operations, rather than leave the business altogether.

In my time here, you have known me to be a someone who [list skills and attributes]. I would like to continue providing job excellence to this company, and hope that we are able to work together to find a clarification that fits both of our needs.

I understand that this presents some mystery for the current location, but I feel I can still be of service from this new location, and I am willing to work straight through [period of transition] to help train new personnel in my position.

I am very appreciative of my time here at [company], the taste has been very rewarding in many ways. I thank you for taking the time to think my invite and anxiously await your decision.

Sincerely

Signature

Name

Title

You should fee free to appeal to the human side of your employer, and be sure to include standard reasons why you are requesting a transfer; however, resist the urge to be plaintiff and keep this part of the invite short - no one likes a whiner!!

The key in how to write a job replacement invite that is effective is to balance your skills and assets with the needs of the company. Play up the angles that are open to you, but be just not to come off as sounding presumptuous and arrogant; you want to be viewed as a valuable business asset, not a thorn in the side worth losing! In all job replacement requests, keep the focus on the business and its advantage as much as possible. Selling your invaluable self will as a matter of fact get you the move you need!

I hoped you enjoyed this guide on How To Write A Job replacement Request!

How To Write A Job exchange request - The Easy Way

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How to Design a Logo using Adobe Illustrator -Tutorial

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www.mlwebco.com - In this video tutorial, I walk you through the steps for designing a logo using Adobe Illustrator. In the video, I demonstrate how to go about choosing the right font type, tips for combining letters and manipulating colors for proper contrast as well as demonstrate how to design an icon using the vector pen tool. Enjoy! Download work file here www.mlwebco.com If you have any questions, send me an email at mlocke@mlwebco.com. Visit www.mlwebco.com for more video tutorials and web related content.

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A Bold New Course for NASA

A Bold New Course for NASA Tube. Duration : 25.82 Mins.

President Obama lays out his vision for the future of NASA and for maintaining US leadership in human space flight in remarks at the John F. Kennedy Space Center. April 15, 2010

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